Jeremy Dauber
Harvard University, A.B., Social Studies, 1995
University of Oxford, D. Phil., Yiddish Studies, 1999
Jeremy Dauber grew up in Northern New Jersey, the oldest of three boys. Before heading to college, he studied abroad for a year at a yeshiva in Israel. He is currently an associate professor in the Germanic Languages and Literatures department at Columbia University, where he is also the director of the Yiddish studies program and director of the university’s Institute for Israel and Jewish Studies. He has written Antonio’s Devils: Writers of the Jewish Enlightenment and the Birth of Modern Hebrew and Yiddish Literature and co-edited and co-translated (with Joel Berkowitz) an anthology called Landmark Yiddish Plays. He has also written a television and movie review column for the Christian Science Monitor.
We spoke in August 2008 during the Beijing Summer Olympics.
What you were like as a child? How would you describe yourself?
Basically, as a child, my face was obscured by a book. I spent a tremendous amount of time of reading. My parents used to say that I almost didn’t know my way around my hometown, because we would get into the car to go somewhere and the minute the car door slammed I would be reading. And when the car would stop, then I would stop reading. I didn’t even know where we were going half the time. I grew up as a traditional Orthodox Jew; on Saturdays, which was our Sabbath, we didn’t do a lot of different things. I would spend a lot of that time, especially in the long summer afternoons because the Sabbath ends at sunset, reading for hours and hours.
What were you reading?
I was mostly reading genre fiction, science fiction, fantasy. I wasn’t reading what you’d call good literature, or literary fiction. When I was a freshman in high school, I asked my English teacher for a list of things I should be reading. She gave me a list of the classics of literary fiction. I picked up the Constance Garnett translation of Fyodor Dostoevsky’s Crime and Punishment, and I very clearly remember reading it and saying, “Well, this is stupid. I don’t know what all the fuss is about. These people!” Of course, I came back to it at a much more appropriate time and thought it was a work of huge genius. I wasn’t ready for it then. I was reading for hours and hours, classic science fiction and fantasy authors like Isaac Asimov, Kurt Vonnegut and Robert Heinlein.
Barnaby Marsh
Carolyn Conner Seepersad






